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    <lastmod>2026-04-03</lastmod>
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    <lastmod>2018-10-26</lastmod>
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      <image:caption>Danny Scheie as Gregor and Tracy Hazas as Rita in The Monster-Builder at Aurora Theatre Company. Photo by David Allen.</image:caption>
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    <lastmod>2025-12-06</lastmod>
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      <image:caption>White Rabbit, Sundance Film Festival 2018, NEXT Feature Category Directed by Daryl Wein | Story by Vivian Bang and Daryl Wein Cast: Vivian Bang, Nana Ghana, Nico Evers-Swindel, Tracy Hazas A dramatic comedy following a Korean-American performance artist (Vivian Bang) who struggles to be authentically heard and seen through her multiple identities in modern LA.</image:caption>
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      <image:caption>COMMERCIALS: clients include Xbox, Uber and others. List available upon request.</image:caption>
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      <image:caption>AmericanMD, web series Written by Hillary Miller | Directed by Jason Bruffy Produced by Tracy Hazas &amp; Hillary Miller Role: Cristina (lead) Cast: Tracy Hazas, Samira Wiley, Kathryn Kates, Lou Liberatore, Jonathan Hooks, Sarah Ellen Stephens, Jacob A. Ware, Emily Alpren and Shawn Randall A dark comedy about a group of freelancers and their quest to secure health care.</image:caption>
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      <image:title>WORK</image:title>
      <image:caption>“Screen Tests” — a short film by Live Source Theater Directed by Tyler Mercer | Texts by Chekhov and Shakespeare</image:caption>
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      <image:caption>The Monster-Builder, Aurora Theater Company, Berkeley, CA Winner, Best Production, Bay Area Critics’ Circle By Amy Freed | Directed by Art Manke Role: Rita A comedy about architecture gone mad.</image:caption>
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      <image:title>WORK</image:title>
      <image:caption>Mirandolina! (Adaptation of Goldoni’s La locandiera), Center REPertory Company, Walnut Creek CA Shellie Award Nomination, Best Actress Adaptated and directed by Timothy Near Role: Mirandolina</image:caption>
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      <image:caption>The Homophobes, Dixon Place, NYC Written and directed by Susana Cook A Mondo Cané! commission by Dixon Place. Role: Alberta A misunderstood miracle shakes a conservative congregation to its core in this clown show about sex and gender.</image:caption>
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      <image:caption>TOTALDETROIT, New York City &amp; Detroit, MI A performance walk conceived &amp; led by Niegel Smith Produced by Elastic City Role: Caretaker From the creator: “My teenage years were spent in Detroit. A city in continual decline. One that refuses to lose itself to those who fetishize its ruins. It’s been ten years since my return. I do it carefully. Can I speak for this place where I no longer live? Yes. And I’m taking you with me.”</image:caption>
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      <image:caption>The Idiot King, Dixon Place, NYC Written &amp; directed by Susana Cook Role: Secretary of Intelligence A new play in which Argentine-NYC performance artist Susana Cook examines parallels between dictatorship in Argentina and contemporary US politics.</image:caption>
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      <image:caption>Schiller’s Mary Stuart, Robert Cohen Theater, Irvine, CA Peter Oswald version Directed by Rob Salas Role: Elizabeth</image:caption>
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      <image:title>WORK</image:title>
      <image:caption>Blue Light, Robert Cohen Theater, Irvine, CA Conceived and directed by Annie Loui, CounterBalance Theater Written by Michelle Latiolais The world premiere of a multimedia performance about the pursuit of wonderment in the abandoned Blue Light silver mines in Orange County, California.</image:caption>
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      <image:caption>Video Game Suite: 3 Dances, Stanford Art Gallery, Stanford University Choreographer and performer. Commissioned by the Stanford Arts Institute. Sound design by Michael St. Clair. An evening of three original site-specific dance pieces on the themes of technology and video games.</image:caption>
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      <image:caption>Nightingale, Exit Theater, San Francisco, CA Winner, Best of SF Fringe By Gia Battista | Directed Rob Salas Produced by Davis Shakespeare Festival Role: Marie; contributed to movement design. A new play combining text, projections, movement and live music.</image:caption>
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      <image:caption>Love’s Labor’s Lost, Colorado Theatreworks, Colorado Springs, CO Directed by Murray Ross Role: Rosaline</image:caption>
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      <image:caption>Salve, American Realness Festival, Abrons Arts Center, NYC A performance walk conceived &amp; led by Todd Shalom and Niegel Smith Produced by American Realness and Elastic City Role: Caretaker</image:caption>
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      <image:caption>Gay Pierrot, HOT! Festival, Dixon Place, NYC Written by Hillary Miller Role: Pierrot</image:caption>
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      <image:caption>LIMBS: A Pageant, Living Room Festival, HERE Arts Center, NYC Conceived &amp; directed by Niegel Smith Written by Nathan Christiansen, Hillary Miller, Zachary Price, Alva Rogers &amp; Jordan Seavey Role: Gulf War veteran Five amputated soldiers — from WWI to the Korean War to Shock &amp; Awe — arrive in the living room of an American family.</image:caption>
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      <image:caption>The Book of Tink, Robert Cohen Theater, Irvine, CA Written by Erik Ehn | Directed by Jim Knipple Role: Tinkerbell</image:caption>
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      <image:caption>36 Stories by Sam Shepard, Word for Word Theater, Z Space, San Francisco, CA Adapted &amp; directed by Amy Kossow Designed movement.</image:caption>
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      <image:caption>Oh, What a Lovely War!, Stanford University Directed by Leslie Hill &amp; Helen Paris Production coursework co-taught by Hill, Paris &amp; Hazas Coached movement; designed and taught movement curriculum emphasizing Laban, commedia, mime and other stage movement techniques.</image:caption>
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      <image:caption>A Kingdom, a Country or a Wasteland, in the Snow, Stanford University Written by Lola Arias | Directed by Kellen Hoxworth Consulted on fight choreography and coached stage combatants.</image:caption>
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      <image:caption>Much Ado About Nothing and She Loves Me, Davis Shakespeare Festival Director: Rob Salas Designed and coached dance and movement sequences in two repertory productions.</image:caption>
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      <image:title>WORK</image:title>
      <image:caption>Mirandolina!, Center REPertory Company, Walnut Creek, CA Adaptation of Goldoni’s La locandiera Adaptated &amp; directed by Timothy Near Consulted on 17th century movement.</image:caption>
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    <image:image>
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      <image:caption>Scene in Action, Stanford University Dance Division, Stanford Cantor Art Museum &amp; Andersen Art Collection Conceived &amp; choreographed by Aleta Hayes Led movement and acting workshops for dancers; taught theater period movement techniques.</image:caption>
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      <image:caption>Moby Dick, Rehearsed, Stanford Repertory Theater Written by Orson Welles | Directed by Rush Rehm Designed fight choreography and coached stage combatants.</image:caption>
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      <image:caption>Dwight D. Eisenhower Memorial, Washington, D.C. Audio Guide Opened September 2020</image:caption>
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      <image:caption>The Henry Ford Museum of American Innovation, Dearborn, Michigan Video Narration</image:caption>
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      <image:caption>The Organist podcast, KCRW/McSweeney’s Host: Andrew Leland Voiceover on “The Secret Life of Plants” episode, September 2018</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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